One of the most brilliant, moving, thoughtful and meticulously executed film that I’ve ever seen, is a Japanese movie called After life by Hirokazu Koreeda In an old Japanese residence, very much like a school with no resemblance to what we perceive as after life, the deceased individuals are provided with films, photos and slides of their lives, and they should choose one, and only one memory to eternally live that memory. In other word, the poetic concept of their after life is simply to live in the most favorite moment of their lives, forever.
And you’re dead wrong if you think since I gave up the plot, there’s no reason for you to see this movie if you haven’t seen it already cause there are so many beautiful moments, thoughts and ideas as well as sceneries, presented in after life that nobody can ruin the film just by telling you the storyline.
Now, inspired by this movie, imagine that you should pick a composer, and this composer would be the only one you are allowed to listen to, till the end of time. What would be your choice?
For me, the answer, simply and quickly, would be Johan Sebastian Bach. He has made so many breath taking pieces that one really needs an eternal life, only to fully squeeze every drop of divine pleasure out of this heavenly collection of sounds.
So it’s no wonder if I have dozens of Bach’s pieces among my favorite 101. For today, Erbarme Dich from St Mattew Passion, but instead of the original choral version, this lovely arrangement by Yo-Yo Ma, played by himself, from the album Simply Baroque.
It simultaneously satisfies my mutual passion for Bach and the magical voice of my favorite instrument, cello.
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